Guy du Toit (b. 1958, Rustenburg, South Africa) graduated from the University of Pretoria with a BA (Fine Art) Degree, receiving a distinction in sculpture. He uses a wide range of media in his sculptures, including bronze, stone, wood and steel, and draws in pen, ink and charcoal. He has exhibited extensively, both locally and internationally, and has been consistently supported by private and public collectors, institutions, academics and fellow artists.

Honoured with several awards, he curates and adjudicates exhibitions and lectures at several institutions, including Pelmama Academy in Soweto, Pretoria University, Johannesburg and Pretoria Technikon, and the Johannesburg School of Art, Ballet, Drama and Music. He gives workshops throughout South Africa and has been involved in community projects, seminars and symposia.

Guy du Toit’s apparent irreverence can obfuscate the fact that he is undoubtedly one of South Africa’s most accomplished sculptors. “Liberated” (as he says) by the advent of democracy in South Africa from having to concern himself and his art with the notions of identity, he has happily turned his attention to “less provincial” pursuits like reveling in form, concept and media for their own sakes. Du Toit uses the unexpected juxtaposition of bronze casts of universal, everyday found (and made-to-look-found) objects to invite his audience to invent dialogue themselves. Du Toit’s hares have also become a popular series exploring form through playful bronze renderings of hares who sit and ponder their thoughts, play, dance or box with each other - each holding a unique character and endearing quality.